Everett Spruill

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Everett Spruill was born in Birmingham, Alabama. After attending High School at George Washington Carver, in Birmingham, Everett went to Berea College in Kentucky, where he majored in business. Everett was exposed to museums, and classical music at an early age and would prove to have a great influence on his artistic development.  "I really enjoyed mechanical drawing classes and wood working projects as a kid. I also had an ear for music so mom insisted I have voice and piano lessons". 

For more than 20 years Everett, a self-taught artist, has been involved in collecting and creating works of art. He currently conducts art workshops for Central Florida youth and is former owner of The Ethnic Art Gallery, Orlando, Florida.

Everett advocates the necessity of art to enrich our lives and firmly believes the arts help us all become well -rounded and constructive individuals. Everett is most known for his early collages and works on paper, notably, his "Old School Jazz and Blues Series", which feature colorful images of the fathers and legends of our own American art form known as Jazz. After graduating from Berea College and working as a Hotel Manager until 1989, Everett began his career as a full time professional artist. Everett is influenced by American Artists Arthur Rayford, Romare Bearden, Jacob Lawrence  Elizabeth Catlett, Charles White and Frank Stella to name a few.

 As a mid career artist Everett explores his personal world of contemporary aesthetics and culture.  He creates a dialogue with the viewers of his ethnically inspired images using his own mixed media visual language.  Spruill creates images in bold colors, using a variety of mediums.  His images are ethereal, thought provoking and spiritual as they illustrate his Afro-centric visions.
Spruill communicates his unique artistic language through the use of intense color and rich surface textures. The image is further enhanced with African inspired patterns, and hand written social commentary to further communicate with the viewer.
Paint, photos, various types of hand-made paper, layers of glazes, watercolor, pen and ink, pastel and charcoal, to name a few,  are Everetts’ tools for conversing with the viewer.  Extensive use of airbrushed-hand cut stencils, African textiles shells and symbols further enhance his visual language.
These elements transform the pictorial image into a work of art that has true meaning while transforming the canvas into a rich opulent surface that invites the viewer to take a closer look. 

ARTIST STATEMENT

"Most of my creations begin with photographs or several thumbnail sketches. Harmony and contrast are important qualities I want in my work and it becomes even more important in the works I call “Intuitive Creation” (Mindscapes, Tribal Rhythms and Middle Passages Series) because these images are created mainly by letting go of conscience thoughts and relying more on instinct. Because the steps are intuitive and emotional rather than cognitive, many times the exact processes are forgotten, the end result is therefore difficult to repeat. Nevertheless, I’m satisfied with a completed work when it consist of the all important variables of line, shape, color, texture, repetition, and balance."

 "The creative processes for my “Intuitive Creations” follow a number of steps. I use gloss varnish to adhere drawings, photos, postage stamps or torn and cut paper to the substrate. Transparent tissue is applied partially covering and connecting the first images.  Using a wet-on-wet technique, watercolor and acrylic washes and lines (mostly primary colors) are applied, allowing colors to run, and partially covering and connecting the adhered images into a harmonious unit." "To create textural effects, clear acrylic gel is applied by knife and scored or scraped into patterns. I then Airbrush through several hand cut stencils to apply opaque symbols and designs that will unite the composition.  Accents and highlights are added with splattered and dripped acrylic paint. These steps are not always followed in this order, and some may not include all the elements mentioned."
 My representational images (Jazz and Blues and Family series) include combinations of the same techniques, materials and processes mentioned previously, however, the central figure begins with a drawing, usually from photos. Paper, fabric or photos are cut to form the various sections of the image and or background and are assembeled together like a puzzle." "I work only on archival acid-free mat boards, watercolor paper, and canvas.  Hardwood panels are sometimes used for smaller images and are triple primed and sealed with stain resistant varnish to prevent yellowing from the acids in the wood. Permanence and longevity are a major concern, every effort is taken to best preserve and protect the work by using archival paints (non-toxic) and substrates free of materials that shorten the life of the work.  Each work is protected front and back first with mat varnish and finally with a gloss acrylic varnish.