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Biography

Group exhibitions

·        1995                Quétigny « Association Reflets »

·        1999-2000-2001      Fontaine-lès-Dijon, « International Exhibition»

      Personal  exhibitions

·        1999                Arnay-Le-Duc, gallery « Les Bains Douches »

·        2001                Saint-Claude, le Caveau of the Artistes

·        2004                Fontaine-lès-Dijon, gallery La Source 

·        2005                      Dijon, University Canteen Mansart

·        2006                      Besançon, University Canteen le Grand Bouloie 

·        2007                      Is-sur-Tille, space cultural Carnot

2008                      Dijon, Société Générale, place of the theatre

"I always interviewed and questioned about the painting that worries me a lot.
In my recent paintings, I give to see an expressive painting, which is characterized by its materiality plastic! I bring a richness to the pictorial surface of the canvas.
"You have to be moved by the painting and not the subject. "The table should go more to our knowledge to our sensory and emotional memory to our knowledge!
I thus creates a dream space, a space of freedom and an area rich in sensitive expression.
Also the grounds painted buried underground magma coloured no longer coincide with reality but with all our mental representations.
The table become s an archaeology : paint is the canvas face physically and also my unconscious.
The weather becomes an important factor: the time needed to carry out the time-table and look to apprehend the canvas.
I work long by successive layers on the same canvas and I showed the expression of the painting ; I make a transformation of matter by the energy and the desire to go further.
I paint rather than the subject, but the 'painting' and I am increasingly of colour!
The landscapes or figures that recognizes under the thick material, in the tradition of classical themes of Painting allows me now to paint without having to worry significance...
The painting becomes essential, and created an emotion unique to the substance and implementation rather than conveyed by the subject! Painting becomes timeless. P.L. "