Nathalie Froment

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Painting on Canvas

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NATHALIE FROMENT /CONTEMPORARY PAINTER / INTERNATIONAL ARTIST

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NEWS :

EXHIBITION 08 /18 AUGUST 2009 at
BEIJING.

GALERIE 798 ART BRIDGE

D09-1 N°4, Jiuxianqiao Road
,
Chaoyang District,
BEIJING,
CHINA 100015
All days to 10th at 18th

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Artistic works :
Research tasks on the effects of matter by transparency since 1993.

          1983 : First painting on canvas.
          1993 : First exhibition personal.
          2003 : First international exhibition.



TECHNIC :
Mediums and powder of pigments with paper silk and gold 24 carats, on canvas, on paper or plexiglass. 

REWARDS OF THE PAINTING :
        
GOLD MEDAL 1994 - Great Price of the Painting Castle of Lavérune - France. .
Painting of the collection "Echos monochrome".
SILVER MEDAL 2006 - 7e INTERNATIONAL ART SHOW in Barcelona. Gallery ESART - SPAIN.
Painting of the collection "Les Tiroirs du Temps".

             ART GALLERY 2006/2007 :
         - Gallery "Sala Barna" - Barcelone - SPAIN.
         - Gallery"Tout Un Art" - St Cyr au Mont d'or - Lyon - FRANCE.
         - Gallery "Charlevoix" - St Jean de Luz - FRANCE.
         - Gallery "La Galerie" - Hossegor - FRANCE.
         - Gallery "Pour Tout l’Art du Monde" - Lambesc - FRANCE.
         - International Gallery "Eclats d’Art" - Nîmes - FRANCE.
         - International Gallery "La Galerie" - Marbella - SPAIN.
 
COLLECTIONS :
Paintings of the following series form part of collections deprived in France, Europe and Canada. "Les Tiroirs du Temps", "Visages de la Provence" and "Echos monochrome".
       
MUSEUM CONTEMPORARY ART :
Entered on July 8th, 2005 in "MUSEUM OF THE AMERICAS" at Miami - USA.
Painting : "Le couple au ruban" 28’ x 20’.
 
VALUATION BOOKS :
AKOUN and DROUOT-COTATION. 
Nathalie Froment in the dictionnary "Larousse Cotations Edition 2006 and 2007 " of quotations 15e century with today.
 
BIOGRAPHY:
Nathalie Froment was only 7 years old when she declared: "I will be a painter!". What was remarkable is that she certainty carried it to reach her of child dream. It is not surprising that she started to paint very young and to expose her works in the south of France where she lives. The amateurs, of an informed eye bought her first parts. This encouragement led it to regularly expose and it received the 1994's gold medal of the castle of Laverune, at the time of its first contest of painting.N. Froment learned how to discover, alone with her canvas, the basic technics and she created even its own approach of the raw material and the composition; in 1994 she called its "Translucent" technic (research task based on the effects of raw material in transparency). This one consists of a process which, adapted to the raw material conceived, is painted and carved with one gestural very spontaneous. The final aspect is mainly made up a greater depth, of an emanating relief of the material with a strange transparency which allures the eye of the observer.Her style tends towards the figurative one even when it purifies lines and forms as at the time of her first "Translucents". In parallel, these last three years she visited again the Provence with a very personal touch always. There, she uses pastels with oil for the preparation of her fabric combined with her basic technic. The colors are very intense there in this sequence of the "Faces of Provence". The landscapes sing, the houses have a history and you can feel the fragrance of lavenders.She has composed for six months, a very particular series "the Spaces of the Time" which deserves to be seen. This time she incorporates with her material of the powders of pigments of Roussillon. The colors are done softer, hotter in its ranges ochre. Informed Colorist and painter in perpetual research, during her various periods all the emotions pass. Her paintings have a soul. JC F - 10/2001, Miami - USA.

 
© All of the images on this website are copyrighted original artworks by their author and are protected by international copyright law. No materials in this gallery may be reproduced, copied, downloaded, or used in any form without written permission of the contemporary artist Nathalie Froment.
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